Clerk: Here you can see him with his gun. Here he is coming in the front door and here he is pointing it at me and telling me to get down. I'm like "ah what do I do?" I'm like here but he can't see me right now. He's still pointing it at me, he's like; "Get the money!" I'm like "OK. Alright I'm going" and he's like: "Yeah just do it" Aaaand that's all, just do it. And I'm like "Okaaaay, alright I'm gonna get this really slowly for you, here's the change drawer, just gave him the change drawer. He's like; "Thanks, I'm gonna point my gun at you again, baaahhh, don't try anything!" And I'm like; "alright, do you want me to get a bag? I'll put it in a bag for you", and let me press this button, this police button yeaaah yeeeaaah press this police button but don't worry coz you didn't see a thing did ya? No. Alright. Well, let me get those for ya. And he says: "Here, see, I'm not gonna hurt anybody, I'm not gonna hurt anybody, I'm just gonna take this money." Ok. "Now you get the marlboro reds for me." I'm like; "Alright, I'll get the marlboro reds for you". And here's like a couple of grocery bags. Oh! "Do you want me to double bag that for ya? Here, I will put this bag inside that one", yeah, and he was like; "Yeah double bag it, double bag it" And you can see at this point I'm kinda bored, I press the button again. C'mon. And I'm pressing pressing pressing and he doesn't even see me. I'm still getting his cigarettes for him, got the cartons coz he said: "Get the cartons." And I'm like okaaay, alright I'm getting the cartons, there you go, there's your cartons for ya. Oh here he comes, and then like ok put those in a bag for me and I'm like; "Alright, there you go, alright get outta here". I tell him; "Please, just leave, just get outta here". Four minutes and forty five seconds. He moves that little stand outta the way, he's like; "Ok, I'm going now... see ya later..." Maybe, he's just sitting next to the door wondering if the cops are outside maybe? I'm watching him go, pressing the button again, c'mon! And I follow him out, oh, where's he going? Where's he going?
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop. Bandcamp New & Notable May 2, 2024
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024
